Be Cool
New Nobility · Pop · Sydney, NS
🏆 #34 · NATIONAL OVERALL TOP 100
🔥 Fan Bonus: +3.3 — the likes and shares on this page are a bonus on top of the chart score (up to +6, counted at the midnight chart change). ♥ 43 likes · ⤴ 1 shares so far — every one helps this song climb.
The balance is off the Pop template — low end reads 15.7 dB over the mids (band: 3 to 8) and the top reads -7.8 (band: 1 to 6). Rebalance toward those numbers.
Reads -8.8 LUFS with true peak at -0.4 — inside the Pop pocket (-10 to -7.5 LUFS) with clean headroom. Measured, not opinion.
The hook lands at 165s, lifts 2.0 dB over the verses, and its level comes back 44 times — and the hooks match each other at 100%, so every chorus hits the same way. That's the part a listener walks away singing.
The melodic line travels 36.3 semitones — enough contour to remember, not so much it wanders. It pulls the ear forward.
The words come through intelligible and present — every line can be heard the first time, which is what lets writing land. (No lyrics were sent in with this upload, so this point rides on vocal clarity.)
Built right — the body is moving by second 0, the hook lands at 165s standing 2.3 dB over the verse, and hook and verse blend at 99% — one record, sections working together.
The voice owns its band — 33% of the song's energy sits in the vocal range and the presence cuts through. The performance reads clear and up front.
A full-spectrum production — 7 of 7 frequency bands are alive and working, balanced on the Pop template. The record sounds finished.
The pulse locks — the beat pattern repeats with 64% periodic strength around 61 BPM. That's pocket a body can move to.
The feeling is in the movement — 4.0 dB of dynamic travel and a hook that lifts 2.0 dB over the body. The record makes you feel the turn.
Dynamics read 11.0 dB peak-to-average — inside the Pop band (7 to 11) — and the song breathes 4.0 dB across its sections. Big moments feel big.
Its fingerprint sits 7.2 dB off the Pop template center — outside the family reads as off, not original. Keep the identity, fix the balance.
Hook at 165s, groove locked at 64% — when it ends, the shape of it makes you run it back.
Radio shaped the way music directors hear it — the mix measures closest to the Hip-Hop radio profile (-8.8 LUFS integrated, low end 15.7 dB, top -7.8), with R&B not far behind. This can sit next to signed records and belong.
The artwork is polished and readable at thumbnail size — finished, professional presentation that looks like a real release.
Where it stands
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Only the Top 20 plays on the Stage. Any day, this song can pop in.
