IT’S TIME TO FEEL GOOD
TMARVIN · Southern Soul · Desoto, TX
🏆 #36 · NATIONAL OVERALL TOP 100
🔥 Fan Bonus: +4.5 — the likes and shares on this page are a bonus on top of the chart score (up to +6, counted at the midnight chart change). ♥ 172 likes · ⤴ 1 shares so far — every one helps this song climb.
The spectrum balances like a Southern Soul record — low end 10.8 dB over the mids (band: 4 to 10), top end -7.8 (band: -2 to 4), and the stereo folds down clean at 81% correlation. Everything has its space.
The master runs hot — true peak reads 2.0 dBTP, over the 0 ceiling. Loudness is -5.1 LUFS against a Southern Soul pocket of -11 to -8.5; pull the limiter back and give it headroom.
The hook is late or light — it arrives at 167s with 0.7 dB of lift and 169 returns at full level. Earlier, bigger, and more often is what makes a hook stick.
The melodic line travels 32.6 semitones — enough contour to remember, not so much it wanders. It pulls the ear forward.
The words come through intelligible and present — every line can be heard the first time, which is what lets writing land. (No lyrics were sent in with this upload, so this point rides on vocal clarity.)
Built right — it opens cold, straight in, the hook lands at 167s standing 1.1 dB over the verse, the verses match each other at 99%, and hook and verse blend at 99% — one record, sections working together.
The voice owns its band — 41% of the song's energy sits in the vocal range and the presence cuts through. The performance reads clear and up front.
A full-spectrum production — 7 of 7 frequency bands are alive and working, balanced on the Southern Soul template. The record sounds finished.
The pulse locks — the beat pattern repeats with 82% periodic strength around 105 BPM. That's pocket a body can move to.
The feeling is in the movement — 2.5 dB of dynamic travel and a hook that lifts 0.7 dB over the body. The record makes you feel the turn.
Dynamics read 9.2 dB peak-to-average — inside the Southern Soul band (9 to 13) — and the song breathes 2.5 dB across its sections. Big moments feel big.
Its fingerprint sits 5.8 dB off the Southern Soul template center — outside the family reads as off, not original. Keep the identity, fix the balance.
Hook at 167s, groove locked at 82% — when it ends, the shape of it makes you run it back.
Radio shaped the way music directors hear it — the mix measures closest to the Hip-Hop radio profile (-5.1 LUFS integrated, low end 10.8 dB, top -7.8), with R&B not far behind. This can sit next to signed records and belong.
The artwork is polished and readable at thumbnail size — finished, professional presentation that looks like a real release.
Where it stands
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Only the Top 20 plays on the Stage. Any day, this song can pop in.
